Ebook The Sounds of Poetry: A Brief Guide
Ebook The Sounds of Poetry: A Brief Guide
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The Sounds of Poetry: A Brief Guide
Ebook The Sounds of Poetry: A Brief Guide
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Review
“A keenly idiosyncratic account of the place of poetry in our time . . . not only interesting but suspenseful to read.†―James Longenbach, The Nation“One of the marvelous things about this book is Pinsky's deep recognition that a poem is successful not because of the poet's ambition or sense of purpose but because of the effect it creates in the reader, and in many readers over time†―Graham Christian, Boston Phoenix
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About the Author
Robert Pinsky is Poet Laureate of the United States. FSG published The Inferno of Dante in 1994 and The Figured Wheel in 1996. He teaches in the graduate writing program at Boston University and lives in Newton Corner, Massachusetts.
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Product details
Paperback: 144 pages
Publisher: Farrar, Straus and Giroux; First Edition edition (September 1, 1999)
Language: English
ISBN-10: 0374526176
ISBN-13: 978-0374526177
Product Dimensions:
5.1 x 0.4 x 7.5 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
31 customer reviews
Amazon Best Sellers Rank:
#249,124 in Books (See Top 100 in Books)
As the title suggests, this is a book about sound as a component of poetry. Besides the characteristics of noises made in reading poetry, the book details the various characteristics that shape the overall sound of a poem--such as the duration of a syllable and whether it’s stressed or unstressed. Having said that, a major theme of Pinsky’s work is that one shouldn’t be absolutist or rigid about these characteristics (e.g. stress versus unstressed) and should instead look at the relative traits (i.e. more or less stressed.) By adopting a more flexible view of the concepts like accent (stress), rhyme, similarity of sound, one opens up limitless options for poetry. The book consists of five chapters. The front matter includes an introduction and a brief commentary on theory. The latter points out that there are no hard rules, but by paying attention to these concepts one can produce richer and more interesting sounding poems. Pinsky reviews the most common poetic terms (e.g. iamb, trochee, spondee, etc.) but also looks at how these are varied for effect in a way that is enjoyable to all but prosody hardliners.The chapters are: 1.) Accent and duration; 2.) Syntax and line; 3.) Technical terms and vocal realities; 4.) Like and unlike sounds; 5) Blank verse and Free verse. (fyi: Blank verse is unrhymed verse that has a regular meter (most commonly iambic pentameter. Free verse is unrhymed verse with irregular meter.)There are relatively few poems used as examples in this book. Some readers may find this a bit tedious and would prefer being exposed to more (and more varied) examples. However, other readers will enjoy drilling down into a few poems along several dimensions. That’s a matter of personal preference, but the reader should be aware of it.The book is less than 150 pages even with the back matter, which includes recommended readings and glossary of names and terms. It’s a quick read.I enjoyed this book. It’s not too technical, and can be followed by a reader whether they’ve had an extensive education into poetry or not. It’s not doctrinaire about prosody, which appeals to my personal preferences. It provoked some intriguing insights, such as the flexible approach to accent as well as poetry as an art that uses the body of reader as its medium—their respiratory systems, vocal chords, and related musculature how these sounds are produced.I’d recommend the book for poets and readers of poetry who are serious about the endeavor.
As one would expect, any book on the craft of writing poetry by Robert Pinsky would be exceptional. This was no exception! True to the poetic stance of brevity, this book provides a lot of information in 129 pages. As a published poet who also teaches poetry, I found this book helpful not only for my personal improvement, but for tips to share on how one can better appreciate poetry.
I've studied poetry in high school and then again for a semester last year. Pinsky provides the serious student with an enjoyable dive into the most helpful methods to read poetry. He has many diverse suggestions for what might help a reader (beginner to advanced) to gain a wider access to a poem's meaning and beauty. It is a piece to aid in the study and appreciation of poetry. It heightened my own enjoyment of poetry and the book itself is fun to read and full of great poetry used as examples and exercises. Strongly recommend it for readers of all levels.
Strong, but with several missed opportunities for writers/readers of poetry: notably, more specificity in the dynamics of English as a language of poetic expression. Pinsky laid a brilliant foundation; I wished he'd built it a bit higher.
This was playful and refreshing not nerdy. I liked the examples he sighted and how they proved his point. The typography is beautiful.
This book is very helpful to understanding how to read poems. Reading by ear or sound gives pleasure and provides a solid foundation for finding meaning in a poem.
I found this book boring. It's technical and I couldn't make it further than page 16. I'm sorry I bought it I feel little disappointed.
Excelente
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